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  • 《我才不要和你做朋友呢》
    《我才不要和你做朋友呢》
    分类: 电影 电影解说
    地区: 美国
    年份: 2015
    导演: 雅各布·詹特利
    主演: 马可·博奇
    状态: 电影解说
    • 线路四

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    Bloody drama follows the story of a pool party involving five former college sororiety sisters attempting one last weekend blowout. While trying hard to grab onto their fun youth filled past they are faced with what is their troubled divisive present. As they water down their issues with booze and drugs unbeknownst to them an evil lurks around them with murderous convictions. How much carnage will not only their personal resentments cause but will this insidious create? Bloody Drama is a throwback to the great horror films of our past, Halloween, Friday the 13th, and Nightmare on elm street.@

    青年(nián )季(🐅)诺在办(🏧)(bàn )完母亲的(de )丧礼后,动身(🍏)寻找当(🏕)年抛(pā(🗾)o )弃妻子的(de )渣父,却(🙋)(què )只找(🏉)到疑(yí(🍗) )似小三的(de )肚皮舞娘萝拉(🍛)。殊不知(😹)这(zhè )位美丽的(de )小三,二(🤡)(è(👆)r )十五(wǔ(😾) )年前(qián )就是季诺要找的(☝)「他」(🔱)。萝拉当(🚰)年(nián )的绝情缺(quē(🚅) )席,让季(🚴)(jì )诺难(🥅)以释(shì )怀。面对毫(👔)不知(zhī(🆘) )情的儿(🤬)子(zǐ ),萝拉尽(jìn )管心慌(😚),也(💰)尽其可(🔌)(kě )能用现在的模样爱他(🐪)。几(jǐ )次(⛩)互动下(xià )来,季诺(nuò )的心(🈚)逐渐(jià(😬)n )柔软起(🔕)来(lái )。重塑自己且(🎹)活(huó )得(🎄)精彩的(🈺)(de )萝拉,究(jiū )竟会不会(huì )和(🥈)季诺出(🤩)(chū )柜,坦承自己的(de )人生(🍊)故(🤤)事(shì )?(🗺)

    某外国(guó )城市,来(lái )自韩(☔)国的(de )女(🎹)演员英(🏛)熙,正因为和国(guó(🐘) )内一个(❔)已(yǐ )婚(🏽)男子的(de )恋情而备(🥇)(bèi )受压(📔)力,她放(💗)弃了一切,甘受千夫(fū )所(👓)指以此(😁)(cǐ )表明心迹(jì )。他说会(huì(💍) )去找他(♌),但她并不相信。在熟识的(🕹)(de )朋友家(🔁)吃(chī )过(🌻)饭,她(tā )去了海边(🚛)(biān )。她认(➰)为朋友(🐮)不(bú )会理解这(zhè(🍽) )段感情(📀),但还是(🚪)问(wèn )道:“他(tā )会像我(🚒)思(🌥)念他一(📞)样思念我(wǒ )吗”

    Aji Mathew, a lovable courageous and modest youngster, who hails from Pala. He meets an NRI girl Sara in his college, they fall in love regardless of their upbringing. Their moments of love did endure less, so does his happiness.

    Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.

    Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed?

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