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“假(👂)如音乐是爱情的(✖)食(shí(📦) )粮(liáng )，请(qǐng )继(jì )续演(🐀)奏吧(🍓)！”以配乐著(zhe )称(chēng )并(👞)为(wé(🍙)i )莎士比亚爱情喜剧(🔢)《爱(🥂)的(🍱)(de )徒(tú )劳》及《爱的胜(📬)利》（(😪)即《无(wú )事(shì )生非》）注(🐞)入(♏)无限活力的超人(🐤)(rén )气(📉)(qì )导演克里斯托弗•(🕛)拉(🚌)斯(sī )康贝（Christopher Luscombe）携(🤴)创作(🐻)团队重返埃文河(hé )畔(📶)斯特(tè )拉(lā )福德的(👼)皇家(🐲)莎士比亚剧(jù )团，执(zhí(💅) )导(dǎo )莎翁另一部滑(🤦)稽又(♒)心酸(suān )的(de )单相(xià(🌀)ng )思(sī(🏫) )爱情故事：

電影劇(🚅)情是(💅)(shì )一(yī )部勵(lì )志(♓)愛情(🏇)故事，講述男女主(zhǔ(🤛) )角(jiǎ(🖱)o )兩人因一次交通(😄)意外(🧛)，女方失(shī )去(qù )記憶(😺)，男(⛓)方(💡)因此有預知未來(🔇)能(né(🚔)ng )力(lì )。吳卓羲表示：「(🎥)我(㊗)哋呢套係(xì )一(yī(⏯) )部愛(💹)情至上，又好凄美(měi )又(🤘)浪漫(màn )嘅(gé )愛情片(📸)，男女(🗝)之間又唔(én )係牽涉(shè(🥝) )床(chuáng )上戲嘅，溫馨鏡(🎍)頭嘅(🔸)床(chuáng )戲係有(yǒu )，都(🛎)要睇(🐢)劇本睇下有冇需(xū(🍩) )要(yà(🎷)o )攬呀(ya )錫(xī )呀，其實(🍦)情侶(🐦)關係必須(xū )要(yào )有(🛳)嘅(gé(🥜) )，如果唔係觀眾唔(⏮)知你(🖍)係(xì )情(qíng )侶。」

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晴晴(🔻)和(🌈)小(🍇)雨一起来到城(ché(🏀)ng )市(shì(🚶) )打工投奔老乡莹莹，途(🛺)中(👹)遭绑(bǎng )架(jià )团伙(🚖)赵卓(👢)和四通绑架，影片以(yǐ(🐙) )恢(huī )弘幽默的手法(🍗)讲述(🙉)晴晴(qíng )小雨与(yǔ )犯(fà(🤐)n )罪分子斗智斗勇的(🔓)故事(😵)(shì )。

“没(méi )有(yǒu )名字的我(🎅)，没有未来的(de )她(tā )”

Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.

Gaetano decided that he would bury his deceased brother with his family at all costs, even if it meant defying the laws of his Sicilian village and putting himself and his family in danger.

Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world –(🛂) Eastern or Western – they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.