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Stephen Sondheim’s legendary musical is staged for the first time at the National Theatre and broadcast live to cinemas.
成(chéng )长中(🧛)父(🍈)(fù )母也在日渐(📽)变老，我们(🍳)(men )会(👫)把(bǎ )这样或(huò(🍍) )那样的无奈当做(🦑)借口，而忽(📇)(hū(🔳) )视他们(men )的心理(🔩)或身体的健康状(zhuàng )况，当问(🏤)题(⛷)(tí )严重时我们(🏯)又会悔恨(🌝)自(🐼)(zì )己的(de )冷漠和(✉)(hé )粗心，孩子和父(🚊)母之间(jiā(⛅)n )永(🥈)远(yuǎn )存在一(yī(🎌) )种不公(gōng )平，而这种不公平(🚩)却又以一(yī )种不(📇)协(xié )调的(🛃)姿(🍗)势，却又很和谐(📠)(xié )的存(cún )在着………
In the year 1920, when India's freedom movement was gaining momentum, one man firmly believed that the Britishers were not as bad as they were being made out to be.
奧馬(🐹)爾(😋)在倫敦過着(zhe )富(🏨)裕(yù )生活(👄)，還(🔃)有一年就大學(🚊)畢業，一 切(qiē )看似(⛏)安(ān )好。然(🦗)後(🥝)忽然一天感召(🐗)(zhào )來了(le )，他無(wú )法再忍受波(🍕)斯(🏬)尼亞大批(pī )穆(〰)斯(sī )林被(🔷)虐(♍)(nuè )殺的報道和(🧐)影像，要做(zuò )點什(🍄)(shí )麼改變(🌭)(bià(😮)n )世界。真人真事(👟)改編，呈現(xiàn )恐怖份(fèn )子的(🃏)成(chéng )魔歷程；不(🆘)從英(yīng )美(🚋)主(🍍)流角度(dù )去看(💸)，也不全循伊斯蘭觀點，究竟(⛎)(jì(🐱)ng )可以折(shé )射出(👤)一幅怎樣(🚯)的(🔃)圖像？觀眾(zhò(🏠)ng )跟隨攝(shè )影機見(👡)證奧馬爾(🚊)在(👩)巴基(jī )斯坦(tǎ(💈)n )山區受(shòu )訓，在新德里綁架(🧐)視(🚏)為(wéi )沉默(mò )同(🍰)謀的(de )歐美(🚅)遊(🍏)客，策劃謀殺《華(😃)爾(ěr )街日報(bào )》記(🕸)者，以致最(🐰)後(⛸)就擒(qín )。的(de )確，人(🕴)(rén )在做天在看，問題是哪(nǎ(🧥) )一個(gè )天在看(kà(🎥)n )。
故事(shì )讲(📨)述(⏺)年轻记者杰(jié(🏽) )伊·巴哈杜(dù )尔(彼得(dé )斯(🕳)饰(👻))偶然遇到曾经(🐬)叱咤(zhà )风云(🌬)(yún )的战地(dì )记(🥢)者(帕西诺饰)。在一(🍨)番(fān )沟通(🚸)(tō(🏝)ng )后，他(tā )选择前(👧)往索马里采访。
A shell shocked war veteran returns from Iraq to Detroit and finds the American Dream in ruins. Jim vanBebber is coming home - to war.
