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跳(🍟)(tiào )出(chū )《比(bǐ )海(hǎi )還(🚄)(hái )深(shēn )》（2016）(😿)的(de )助(zhù(🧗) )導(dǎo )身(shēn )位(🥃)(wèi )，廣(guǎng )瀨奈(📍)奈子繼(🐘)承恩師是枝裕和一貫家(🍡)庭缺失(⏩)主題，以(yǐ )圓(🚜)(yuán )熟(shú(🚞) )的(de )敘(xù )事(shì(🥘) )技巧，剖開父(🚔)子關係(🕚)的思考空間(🆖)。憑《誰知赤子心》（2004）(🎷)成為史上最(🥇)年輕康(😄)城影帝的柳樂優彌，經歷(🍚)過高山(🍭)低谷，在死亡(🏻)邊緣走了一(🚉)(yī )回(huí(👿) )，與這個落泊(🙃)孤絕角(🌿)色感同身受(🌽)。自殺不遂被中(zhōng )年(🧛)(nián )鰥(guān )夫(fū(🥘) )收(shōu )留(🙄)(liú )，獲(huò )編(biā(👁)n )的(de )名(míng )字(zì(⏺) )竟(jìng )與(🐷)(yǔ )他(tā )的(de )亡(wáng )兒相同。亦(😕)父亦子(🕴)的微妙關係(🎟)，卻被兩(❕)人過去的秘(🎦)(mì )密(mì )動(dò(🕹)ng )搖(yáo )。兩(📫)(liǎng )個「缺」(😽)的人生，能否合成一(🥏)個「圓」？(🐼)

詹妮弗(🥫)·安妮斯顿加盟安妮·(🛂)弗莱彻(🥅)执导的青少(✳)题材影片[饺(🎻)子公主(🐿)](Dumplin'，暂译)。该片改(🧛)编自朱(😰)莉(lì )·墨菲(🚚)同名小说，影片围绕(🏼)一个胖女孩(🥙)薇勒迪(✉)恩摆脱(tuō )肥(🌳)(féi )胖(pàng )自(zì(🍫) )卑(bēi )心(😫)(xīn )理(lǐ )、重(chóng )拾(shí )生(shē(🍭)ng )活(huó )信(🥄)(xìn )心(xīn )的(de )故(🕧)(gù )事展(📿)开。安妮斯顿(🥊)将在片中饰演薇勒(🏒)迪恩的妈妈(🚲)，这(zhè )个(gè )过(guò )分(fè(🏈)n )在(zài )意(yì )外(🛑)貌的美(🌟)艳妈妈给胖女儿起了个(🤐)绰号“饺(🌜)子”。

MANOS Returns is the follow up film to the cult favorite Manos: The Hands of Fate, created by Jackey Neyman Jones who portrayed Debbie from the original film.

一个处处(🛬)碰壁的倒霉(👁)青年孙(🎱)小健意外成(🕰)为了挥(😘)金如土、脱(🤫)离现实生活的浩天(🗺)的私人(rén )助(🎱)(zhù )理，随(📱)同参加了泰(🕹)国冒险主题(🚹)旅行团(🆚)，与一帮来自(zì )天(tiān )南(ná(🌻)n )地(dì )北(🧦)(běi )的(de )团(tuán )友(🍾)(yǒu )，经(jī(🚯)ng )历(lì )了(le )一(yī(🍑) )系(xì )列(liè )啼(tí )笑皆(🕝)非、惊心动(🛒)魄的生死考验.....

A detective whose own son was abducted struggles with weird experiences and missing kids in NW Montana.

日向(🌟)花火，日本漫(👔)画(huà )《火(🥫)(huǒ )影(yǐng )忍(rěn )者(zhě )》及其衍(🤠)生作品(🔈)中的角色，木(🧟)叶日向(🔳)一族(🔠)宗家的(🤞)次女，日向雏(📦)田的妹(🐷)妹。 是一个表(🦏)面柔弱，但是自尊心(🙀)很强、不甘(📯)服输的(💰)小姑娘。

设定(🈁)(dìng )在1996年，故事(🤧)围绕居(🖤)住在白俄罗斯首都明斯(🔰)克的年(❌)轻(qīng )女(nǚ )子(🚿)(zǐ )维(wé(⛳)i )尔(ěr )雅(yǎ )展(✊)(zhǎn )开(kāi )，她(tā )热(rè )爱(🎺)(ài )House音(yīn )乐(lè(🌐) )，梦(mèng )想着去到芝加(🎥)哥当一名专(📳)业DJ，然而(🎖)获得签证却很困(kùn )难(ná(🏜)n )，在(zài )她(👽)(tā )为(wéi )申(shē(🏪)n )请签证(🏨)而准(🍾)备伪造(👓)文件的时候(🍆)，她去到(💵)了一个凄凉(📈)、闭塞的小镇，当地(🚸)人对她这种(🌎)不墨守(🈹)成规、无拘无束的人怀(👕)有敌意(🐳)。

这部电影是(shì )死亡事第(🌀)10部，同时(💧)这是绞肉机(🚞)第四部(🚾)的完结篇。

Based on true events. Aesha goes to an isolated b&b in Kent after her mom books her in so she can get some head space for her studies. In the night Aesha is visited by a nun at the door who will progressively begin to show her true colours as the night unfolds - As the nun continues to bother Aesha at the door, Aesha begins to question her surroundings in this isolated suspense horror.

In a dystopian future, a forensic investigator decides to travel to the Other Side, seeking evidence that will acquit him.