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松江市富二代陈小山(🚸)纨(wán )绔不失(💱)仗义，父亲有心培(🛌)(péi )养(🚔)他(tā(💄) )成企业接班(🥢)人，但是他醉(🙋)(zuì )心于嘻(🤞)哈文化，对街(🐁)舞方(🏓)(fāng )面更是无(🤾)比精通(tōng )，从小青(qīng )梅(🎈)竹马的(de )女友(🛋)虫(chó(📅)ng )虫家境优(yō(📬)u )越，热爱(à(⬜)i )钢琴，对小山(🕟)热(rè )爱的街(⛴)舞(wǔ )也是爱(ài )屋及乌(♌)全(quá(😔)n )力支持。不料(💡)小(xiǎo )山24岁生(🌱)日(rì )当天(👷)，和(hé )一班朋(🎼)(péng )友(🚐)庆生，突然接(🥫)电(diàn )话得知父亲遭遇(🥙)(yù )车祸不幸(♉)去世。自此小山(shā(🐄)n )那班“好友(⤵)”避而不见，小(💓)山(shān )此刻明(🔕)白了生活(🍜)的责任，处处(🍞)应聘(🙇)碰壁之(zhī )后(🏷)，在一(yī )间汽车修配厂(🚹)做(zuò )汽车修(🚊)理(lǐ(🔏) )工。这样(yàng )的(🛂)日子(zǐ )坚(🅰)持了一(yī )年(👫)。25岁生(shēng )日当(🤢)天(tiān )，曾经舞(wǔ )团伙伴(📔)提(tí(💒) )议参加(jiā )街(🦌)舞大赛(sài )，小(🍝)山克(kè )服(🍡)生活(huó )种种(🌆)困难(🚔)(nán )，在大赛(sà(🦂)i )中也是(shì )颇多曲折(shé(🔩) )，最终得(dé )到(🌀)冠军，也得到(dào )了(💵)改变家(jiā(🌗) )庭困境的工(🐾)作机(jī )会，街(🅰)舞也成为(🌾)了他的事(shì(🎙) )业。

Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.

ユ(🌁)ミは夫と娘(💳)の３人暮らし。近々引(🎊)っ越(yuè )しを(🈚)考え(🌻)ている。ユミ(🔛)は娘のレ(♈)イナが時折(🙈)(shé )うわ言(yá(👙)n )を発することが、少(🥢)々気(🤩)(qì )にかかっ(💟)ていた。転居(🎰)の報告も(🚑)兼(jiān )ねて友(🍵)人(ré(⏩)n )ヒロミと久(🍝)々に再会するユミ。話(🎹)題はいつし(🧦)か「あの日」の(💑)ことに。「(🤟)私(sī )たちが(🔞)埋めた時(shí(👿) )、本当に(🕧)死んでたの(📸)かな(🅰)？」。ユミは(🧦)「あの日」のことを(☕)清算すべく(🌶)、サ(🥅)エ、アコに(😊)も再会を(🏙)決意し、廃(🔰)墟のような(🔻)家(jiā )に一人で住むサ(🐤)エに(🥛)会いに行く(🔭)。サエは、見(🆓)知らぬ少(✡)女が現れて(✊)娘(niá(🏊)ng )だと言(yán )っ(🈴)て聞かず、しばらく(🗼)一(yī )緒に暮(⛵)らしていたが死(⚓)んだこと(〽)、そして少(💌)(shǎo )女は死ん(🤧)だままそ(🎈)の家の３階(🐤)に寝(🕌)かされてい(🕉)るということを話し(🏪)出す。(C)「黄泉(🕓)がえ(🈹)る少女」製(🌀)(zhì )作委員(👠)会

该片改(gǎ(🚎)i )编自脱北(bě(🏧)i )女性的真实故事(shì )，讲(🍛)述的(💏)(de )是抛开家(jiā(🌋) )人，逃(táo )往韩(✡)国的(de )母亲(🐵)与憎(zēng )恨自(🍘)己(jǐ(🎢) )的儿子在(zà(💟)i )16年后重逢(féng )的故事(shì(🤚) )。

收到媽(mā )媽(😘)從山上(shàng )寄來的(👑)(de )蜜蘋果，小(🚼)月計算(suàn )著(🔷)，媽媽已經在(🚄)(zài )外工作(🎥)許(xǔ )久了，媽(🈸)媽的(🌙)搖(yáo )籃曲總(🕛)是在耳邊呼喚著。『你(🔴)媽多久沒回(🍷)來了(🚦)？』是小(xiǎ(🚩)o )月（13歲）與碧艷(yàn )（(🔊)15歲）兩(liǎng )個(🍆)小女孩彼此關(guān )心的(⏲)話語(💢)(yǔ )。

Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.

巴勒斯坦(💧)電視(shì )台攝(🗾)製臥(wò )底(👻)肥皂劇(jù )，連(💧)以(yǐ(💩) )色列婦孺(rú(🍫) )都晚晚追(zhuī )看。編(biān )劇(🐉)因情節(jiē )背(😣)離革命(mìng )而辭職(🏝)(zhí )，監製的(🏿)(de )多口侄仔(zǎ(🏣)i )助理受(shòu )命(😉)執筆，頻頻借女(nǚ )角之(📤)口，向(🏼)電視(shì )機前(😬)的舊(jiù )愛示好，以色列(🏏)(liè )檢查站軍(🚘)官則(📲)企圖恃權影(🙏)(yǐng )響劇情發展，以便在(🖕)追看的嬌(jiā(😞)o )妻面前自吹自擂(lèi )。助(📷)理即(🚮)(jí )使槍抵腦(😍)殼，都(dōu )不肯(➗)接受(shòu )軍(🥣)官要求的大(💦)團(tuá(📠)n )圓結局。抗爭(🐕)，必(bì )須繼續(xù )！影展新(🦋)(xīn )秀蘇亞比(🎴)(bǐ )巧(🦔)妙調(diào )侃以(🚗)巴關(guān )係(⏹)，他的(de )喜劇座(📰)(zuò )右銘是：(🏩)要能大笑(xiào )，必須(xū )面(🏏)對苦(🍉)痛(tòng )，並與之(🎇)(zhī )周旋。獲威尼斯(sī )地(🛸)平線單(dān )元(🔒)最佳(💽)男主角獎(jiǎ(😅)ng )。