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电影《战刀屠狼》围绕着缉毒(✅)(dú(🚈) )警(😉)察(🦎)(chá(🤤) )这一极其特殊的职(🥂)业(🔶)展开，一方(fāng )面以缉毒警察蓝海与家人的(de )亲情(qíng )为线索(🏎)，通(✋)过(🌐)一(🗻)系(💗)列(🚌)(liè )错综复(fù )杂的(de )事件，突出表现(xiàn )了这(zhè )个孤独(dú(🈵) )又(📃)危(🚡)(wē(🗿)i )险的职业所背负(fù(🌍) )的(📬)压(🛬)(yā )力和责(zé )任。另一方面讲述缉(jī )毒警(jǐng )们面对违法(fǎ(😈) )犯(🥁)罪(🍂)，勇(🐓)往(🍙)直前(qián )，不(bú )惧危险的牺(xī )牲奉献精神以及(jí )深入(🍋)(rù(🚮) )狼(💉)穴(🌼)斩(🥣)断毒品交易的故事(👁)。影(🍸)片(piàn )揭示(shì )了邪不胜正的主旨，传递积(jī )极正(zhèng )能量，也(🎐)让(🤶)大(👙)众(🗜)更(⤴)加(🦒)了解这(zhè )个平(píng )凡而又伟大的神(shén )秘职(zhí )业。

《诡宅(🥪)(zhá(⚾)i )魅(🈂)影(🎣)》讲述的是(shì )民国(guó(🕡) )时(😣)期(👕)被(bèi )父母(mǔ )寄居在吴宅的小(xiǎo )莲（瑶瑶）因长(zhǎng )期遭(🎎)受(🍬)吴(🐅)老(♏)爷(🚡)虐(nuè )待迫(pò )害，导致人(rén )格分裂，陷入四(sì )重人(rén )格(😠)。由(🗂)于(🕹)吴(🌝)老(🉐)爷与土匪勾结(jié )，小(🖇)(xiǎ(🕎)o )莲即将被灭口之际，幸得吴宅老(lǎo )管家(jiā )（李子雄饰演(💸)）(🖊)搭(🤟)救(📢)才(🎠)幸(🗂)免(miǎn )于难(nán )。而此时的小莲已经得了失(shī )心疯(fēng )，得(🎣)知(🌏)妹(📱)妹(🐔)悲惨(cǎn )遭遇(yù )后，远(🍊)(yuǎ(😠)n )在(🕠)国(guó )外学习心理学的(de )哥哥(gē )决定回(huí )国，帮助小莲进行(🐫)心(💎)(xī(🌻)n )理(🐹)治(🛸)(zhì )疗。他(tā )对小(xiǎo )莲进行了催眠，将小(xiǎo )莲再度带回(🍿)(huí(🚞) )吴(😠)家(🏗)大(🐠)院，并实(shí )地还(hái )原(🖌)囚(🧢)禁场景，小莲在哥哥和(hé )吴家(jiā )老管家的帮助下，战胜了(🔦)失(❔)心(👅)疯(🏔)(fē(🕷)ng )，找(🔋)(zhǎo )回自我，恢复了健康。

青釬(gān )治乱(luàn )，倚天定国，长久(🐱)以(😻)来(👶)，历(🐪)(lì )代皇(huáng )帝都以为(🚒)只(🥇)要(⤴)得(dé )到青(qīng )釬和倚(yǐ )天两(liǎng )柄神剑就可夺得(dé )天下(xià(🚱) )，但(🔔)却(😠)(què(🌶) )无(🚢)一(yī )能识破两把宝剑(jiàn )的秘(mì )密。

前(qián )滑雪(xuě )俱乐(🌕)部(🚌)种(🌃)子(😡)选(💰)手(shǒu )，现(xiàn )任雪场无(😧)照(➖)(zhào )小商贩的女孩雅(yǎ )琪捡(jiǎn )到了一个来自异世界自称(🕔)滑(🔍)(huá(📉) )雪(🌫)冠(📒)(guà(🌺)n )军的英俊青年穆勒。雅琪为了骗(piàn )穆勒(lè )的装备和(👈)技(😑)术(😯)去(😥)参加比赛拿(ná )奖金(😀)(jī(㊗)n )，谎(🌳)称帮夺冠就可以解除他(tā )身上(shàng )的“诅咒”送他(tā )回家(jiā(🐱) )。于(🎣)是(😡)(shì(🐌) )在(🛅)雅(yǎ )琪“身经百战”的五(wǔ )菱宏光(guāng )里开(kāi )始了他们边(🚓)卖(🆗)货(❌)(huò(🛂) )挣钱(qián )边训练(liàn )的(🍑)艰(🈹)(jiā(🦗)n )苦同居生活。

法(fǎ )国《电影手册》2018年度期待榜单重(chóng )点推(😮)(tuī(🔡) )荐(👨)影(✖)片(🤩)之(👵)一，影片采用16mm胶片(piàn )拍摄(shè )，具有极致的迷幻色彩，影(⏱)像(✨)超(❗)(chā(🆔)o )级大(dà )胆，故事讲述(👿)5个(🔬)热(🌤)爱艺术的(de )“野(yě )小子”的罪恶之行，让人想(xiǎng )到库(kù )布里克(😱)的(😤)《发(⏬)条(🎮)(tiá(👦)o )橙》，而这(zhè )5位“野小子”则正由(yóu )5位女(nǚ )演员“扮演(yǎn )”，涉及(🏤)到(🦈)了(🤠)不(🥒)(bú )少情(qíng )色元素，探(🕥)(tà(🧢)n )讨(😊)了性别结构。

《四(sì )个春天》是(shì )一部以真实家庭(tíng )生活(huó(🐩) )为(🕑)背(🐕)景(⚽)的(🎀)纪录片。15岁离家，在异(yì )乡漂泊多年的导演以自己南(🛴)方(😒)小(👽)(xiǎ(😎)o )城里(lǐ )的父母为主角(🛒)，在(🚘)四年光阴(yīn )里，以一己之力记录了他们的美(měi )丽日(rì )常(🐺)。在(😨)如(📖)诗(⛓)的(🐣)乐(lè )活慢(màn )生活图(tú )景中(zhōng )，影像缓缓雕刻(kè )出一(yī(🥡) )个(✊)幸(🚷)福(🤓)(fú )家庭(tíng )近二十年(🔞)的(😑)温(🕝)柔(róu )变迁(qiān )，以及他们(men )如何以自己的方(fāng )式面(miàn )对流转(🏔)的(🌤)时(🤢)(shí(🕒) )间(👙)、人生的得失(shī )起落(luò )。

When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.

A tragic car accident puts a woman in a two year coma. She wakes up to find her fiance' is dead and her friends have abandoned her. So she calls on an evil spirit to raise her fiance' from the dead and exact revenge. But revenge always comes with a price.