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孤(gū )女(nǚ )立夏(🕦)深山(🚺)武校(💻)艺成下山(shān )报恩。其恩(📂)(ēn )人(🕛)尉迟(🔻)东举办(bàn )的马术比赛(🔛)(sài )遭(🍇)遇赌(👨)博集(jí )团操控。尉(wèi )迟(🚜)(chí )委(⛵)托星(🔉)宇安(ān )保公司保护(hù )众(zhò(⏹)ng )骑手，并安(ān )排(🕙)立夏加入(rù )该公(💮)司实习(xí )。几经(🌝)波折(🕌)后(hòu )，立夏在(🈶)安(ān )保公司站(🕚)住了(🏤)脚并解决(jué )了(le )安全危(📿)机。
青(🔎)年画(🥉)家岸春(chūn )自小在内蒙(🏑)(méng )古(🗳)长大(⌚)，当(dāng )地的风土人(rén )情(🏪)造就(🤷)了他(🎪)的(de )艺术才华。然(rán )而在(🤥)他的(🏺)内心(⌛)一直有着(zhe )一块难以抚(🀄)(fǔ )平(🖌)的伤(😲)痕，过(guò )早缺失的母(mǔ(🍰) )爱让(🌠)这位(🐖)人(rén )前光鲜的艺(yì )术(shù )家(⚪)在情感里(lǐ )陷(🥙)入迷失，常(cháng )以酒(😣)精为伴(bàn )麻醉(➰)自我(📙)。当受一位蒙(🖥)(méng )古老人所托(🥞)，为他(🙄)英年早(zǎo )逝的母亲画(🏟)(huà )一(👏)幅肖(🤴)像，这(zhè )个母亲的肖(xiā(🌩)o )像却(💕)怎么(🐙)都画(huà )不出神。对(duì )于(🤱)母爱(📧)缺少(📰)(shǎo )感触与理解(jiě )，成了(🎥)他无(➕)法(fǎ(🧟) )落笔的难题(tí )。心烦意(🚹)乱之(🈺)时，岸(🐇)春遇(yù )到了单身妈(mā(🎇) )妈如(🎁)西，如(🧀)西(xī )和儿子的温(wēn )情不仅(😟)让他(tā )感受到(⛲)母爱(ài )的(de )温暖也(🎄)让他(tā )找寻到(🔶)了爱(ài )情(qíng )的味(🆒)道。但(dàn )是，母亲(🏋)到(dà(🔡)o )底为什么会(huì )从小抛(📣)弃自(📀)己(jǐ(📙) )，在日日夜(yè )夜的叩问(🚲)中(zhō(🧖)ng )，也在(😟)如西(xī )的(de )介入下，似(sì(🕊) )乎有(🦓)了意(😹)想不(bú )到的答案，岸春(🏙)也踏(🈵)上(shà(👯)ng )寻母之路。母亲的肖像(👳)到(dà(🥕)o )底能(🚱)否兑现(xiàn )给(gěi )蒙古老(🛃)人的(🕒)期盼(🍿)？岁月(yuè )里母爱的真(zhēn )相(👢)会怎样揭开(kāi )？原来，岸(àn )春的(🉑)母亲一(yī )直以(⚡)一个特(tè )殊(shū )的(🛍)身份出现(xiàn )在(⛸)他的(📽)生活(huó )里(lǐ )！面对时间、面(📔)对生(🍎)命(mìng )的脆弱多变(biàn )，只(🌁)想向(♒)岁月(㊙)(yuè )祈求，时光(guāng )你慢些(🕑)走，让(✨)儿子(😑)还能(néng )记(jì )下母亲的(🚕)容(ró(🛫)ng )颜......
瑞(🔠)伊思（沙(shā )鲁克·汗(🕕) Shahrukh Khan 饰(shì(🥑) )）自(💢)幼生活(huó )在颁布了禁(🤔)(jìn )酒(🐆)令的(🌜)小城之(zhī )中，贫穷的(de )生(📫)(shēng )活(⏩)令他磨炼出了聪慧过(guò )人的头(😊)脑，母亲的所作(🎄)所(suǒ )为亦让他小(🥌)(xiǎo )小年纪便懂(🎛)(dǒng )得(🎯)了谋生之(zhī )道(dào )。为了赚钱(👔)(qián )补(🔦)贴家用，瑞(ruì )伊思找到(🍺)了当(🐲)地的(🐂)酒类(lèi )供应商杰拉(lā(🎟) )茨（(😬)阿图(⛴)尔·库尔卡尼 Atul Kulkarni 饰(shì )）(✈)，就此(🎭)成(ché(🦂)ng )为了一名走(zǒu )私(sī )商(♏)。
本片(🤛)讲(jiǎ(🧀)ng )述的是一群年(nián )轻人(👢)在生(📭)活(huó(🎯) )、社会、情(qíng )感的重(⏬)压之(🔓)(zhī )下，仍旧义无(wú )反顾的追求(qiú(😺) )自己音乐梦想(💋)的故事。
主(zhǔ )人公(😝)穆夏是(shì )一名(🏢)小说(➿)家，正在创作一(yī )部小说，近(👯)(jìn )来(🎈)常常被噩(è )梦纠缠。丈(🏪)夫(fū(🔩) )莫洋(🔡)为她安(ān )排(pái )心理医(🤸)生做(💦)治疗(🗡)，可没(méi )想到在催眠(miá(🥤)n )治疗(🤥)过程(🍆)中一(yī )个声称他才(cá(💖)i )是穆(🎞)夏真(🗽)丈(zhàng )夫的男人出(chū )现(📞)(xiàn )，穆(🌎)夏平(🚩)静(jìng )的世界开始变(bià(🚺)n )的一(🚰)团混乱(luàn )。
年輕媽媽(mā )凱西為了(😝)逃(táo )離家暴的(📅)陰影(yǐng )，帶著三個(👦)(gè )小孩住進了(🤝)一幢(🧝)舊屋。原(yuán )本以為這會(huì )是(✳)破碎(💞)家庭的(de )避風港，沒(méi )料(🍲)到入(🏒)住之(🛷)(zhī )後，才是一(yī )連串心(🦋)神不(🌛)寧(ní(🗜)ng )的開始。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
Ever since the death of her first dominant, William Frederick, Emma has struggled to adjust to life as a submissive without him. Unable to form lasting connections with other men, Emma chooses to abandon the lifestyle completely. But, her world is flipped upside down when she meets Mariah, a sassy young woman eager to explore the BDSM world. Seeing much of her former self in this young woman, Emma takes it upon herself to educate Mariah about life as a submissive and volunteers to act as her temporary dominant. However, things become complicated when Mariah grows attached to Emma and wants their arrangement to become a permanent one. Will Emma be able to walk away from the life she always loved and a girl who desperately needs her? Or is there more in the BDSM world for Emma than she ever fully realized?
