４K/8Kの高(🤖)解(jiě )像(xià(📁)ng )度による大(❣)型(xíng )映像(🐑)をはじめ、CMやPV、テレビ(🌫)番組、さ(💜)らにはwebクリ(🐊)エイティ(🔭)ヴ・デザインやグラフ(🥒)ィック方(💬)面でも活(♈)躍(⌛)するIMAGICAイメ(👥)ージワー(✌)クスと、『ALWAYS三(🚸)丁目(mù )の(🍡)夕日(rì )』(🌸)シリーズや(😼)『永遠の(➖)０』などの大ヒット作(🛳)(zuò )で知ら(🙀)れる映像(xià(🚶)ng )制作集(jí(🍮) )団ROBOTがタッ(🗼)グを組んで、(😫)子どもの(👏)ころに見(✨)た夢(mèng )を失(🕕)いながら(📲)大(dà )人になり、多(duō )忙(🌦)を極めて(🙇)久しい現代(🕛)人の心に(🌚)、かつてのあの“想い”を(🚍)蘇(sū )らせ(🔌)るSFファン(🎈)タ(⛏)ジー！
故事(🤯)发生在墨(🛷)西(xī )哥城的(de )一(🕕)个中(zhōng )产(🗂)阶级社(shè(🚢) )区“罗(luó )马”，讲(🎬)述年轻女(✅)佣克里奥（雅利扎·阿(🙂)巴里(lǐ )西(🎡)奥饰(shì )）在(👲)雇主(zhǔ )索(🏯)菲亚(yà )（(🐇)玛丽(lì )娜·德(🦄)·塔维拉(📓)饰）家中(🔷)工作，该家中(🔽)(zhōng )索菲亚(🎺)(yà )的丈夫(fū )长(zhǎng )期在外(🌆)(wài )，由女(nǚ(🚧) )佣克里(lǐ )奥(👋)照顾索菲(🕉)的四个孩子。突如其(qí )来(💌)的两(liǎng )个(🌽)意外(wài )，同(🎨)时(🤥)砸(zá )中了(📵)女(nǚ )佣克(🐢)里(lǐ )奥和雇主(⏰)索菲亚，两(☔)人究竟该(🦀)如(rú )何面对(🎗)(duì )苦涩茫(🐬)(máng )然的生活(huó )？四位(wè(🔆)i )孩子似(sì(🎅) )乎是希望所(🎇)在。 这是以(🌞)导演阿方(🏓)索·卡(kǎ )隆的(🈯)儿(ér )时记(📩)忆铸(zhù )成(🤯)的影(yǐng )片，而(🎪)(ér )卡隆其(💮)实就是片中某一位小孩(✌)。
Three terrifying tales to keep you awake all night: ‘Night of the Sea Monkey’, ‘Lamb Feed’(😨) and ‘Homewrecked’ – a trifecta of 80s throwback terror with mauling monsters, home invasions gone haywire and stomach-turning human sacrifice.
Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western –(🕯) they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.
A troubled streetwalker meets a mysterious hitman. Together they go down an action-packed rabbit hole of sex, violence, lies, and synchronicity.
ユミは夫(😣)(fū )と娘の３人暮らし。近(🌓)々引っ越(🤓)しを考えて(🥛)いる。ユミ(😯)は娘(niáng )の(🌹)レイナが時折(🔅)(shé )うわ言(🙍)(yán )を発す(👡)ることが、(🌠)少々気に(🤝)かかっていた。転(zhuǎn )居の(🦌)報告(gào )も(🛹)兼ねて友人(🛤)(rén )ヒロミ(🕵)と久々に(😹)再会するユミ(🍟)。話題はい(🥧)つしか「(🤪)あの日」の(🚽)ことに。「(⚓)私たちが埋め(🔧)た時、本(🕥)当に死ん(🐇)でたのかな(🤠)？」。ユミ(🃏)は「あの日」のことを(💣)清算すべ(🛢)く、サエ、(🌲)アコにも(🚓)再(zài )会を(😪)決(jué )意(yì )し、(🚡)廃(fèi )墟の(🛹)ような家(🔎)(jiā )に一人で(🚪)住むサエ(👧)に会いに行く。サエは、(😖)見(jiàn )知(zhī(🛃) )らぬ少(shǎo )女(🐡)が現(xiàn )れ(🌉)て娘(niáng )だと言って聞か(⭕)ず、しば(😠)らく一緒(🤡)に暮(mù )らし(🌂)ていたが(🍮)死(sǐ )んだこと(🙁)、そして(📴)少女は死(🌦)んだままそ(📼)の家の３(🎁)階に寝かされていると(🗓)いうこと(💥)を話し出す(🐡)。(C)「黄泉が(🏠)える少女(🔋)」製作委(wěi )員(📓)会
"Heidi (Osment), who initially left her small town of Pleasant Valley with the dream of one day becoming a successful painter, has put her own art on hold to excel as an art gallery curator. Now, a week before the gallery's big Christmas party, she must return home to watch her niece and nephew. She comes face to face with her high school love, Chris, now a teacher, who is in over his head after he must find a new last-minute location for the Christmas dance. Heidi offers to help him and together they discover a beautiful place for the dance, perfectly capturing the Christmas spirit, called Wonderland Farms. The more time Heidi spends in Pleasant Valley decorating for the Christmas SnowBall, the more she finds herself inspired to start painting again. With Christmas fast approaching, Heidi soon becomes torn between the life she built in the city and the life she is surprisingly charmed by back in Pleasant Valley, embracing her true passion."
