故事(shì )改(☔)编自(💫)(zì )杰(💜)夫(fū )·伯曼的同名纪实回忆录，讲述(😯)当年(🌂)(niá(❗)n )他在终(zhōng )点等待(dài )参赛(sài )的(de )女友(😻)时，不(🤪)幸(🌟)遭(😃)遇炸弹袭击，失去(qù )双腿，并重新(⏲)(xīn )生(🌽)活(🍂)(huó(😗) )的(de )个人经历。
本片主要讲述了机电专(👃)(zhuān )业(♿)的(🗺)大(dà )学生陈(chén )峰的(de )笨(bèn )拙懦弱，是(🐢)学校(💞)的(🤭)最(⚫)不受欢迎学生(shēng )，在一(yī )场意外(🕑)(wài )下(🀄)，和(🛌)(hé(👍) )同样不受欢迎的女生梁欢欢成(➿)了好(⛴)(hǎo )朋(📭)友。
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
一个年(nián )迈的鳏(guān )夫，二(èr )战时期(👉)的无(🥏)线(🍝)电(😼)话务员，发觉闪烁(shuò )的灯泡(pào )传(🎸) 递着(💰)(zhe )他(🔜)亡(🕑)(wáng )妻(qī )来自天堂的消息。
罗杰、(🐆)莉莎(🐀)、司(🛫)(sī )徒若琳(lín )三人，被邪(xié )恶(è )博士抓(🛑)到实(🍈)验(📣)室，准备利用他们来(lái )完成自(zì )己(💂)基因(🍰)(yī(⭕)n )战(🐼)士(shì )培(péi )养的邪恶计划。过程中(📇)三人(💸)身(🀄)体(📢)里(lǐ )面的超(chāo )能力被(bèi )激活，逃(🏪)出了(🏿)实验(⬛)室。博士一心想着自己(jǐ )的邪恶(è )计(📦)划，对(🐬)三(🛴)人(🤓)(rén )穷追(zhuī )不舍，三人在司徒若琳(🌕)哥哥(👰)的(🧟)(de )帮(🛎)助下(xià )，暂时(shí )躲避了(le )起来(lái )，司(🌂)徒南(🍪)帮助(🚿)三人提升了解自己的超(chāo )能力。之后(😱)，博士(✖)(shì(🤴) )的(de )人找到了他们，三人与博士开始(🐧)了(le )一(🍃)场(🚔)战(🌭)(zhàn )斗。三(sān )人能(néng )否(fǒu )逃出博士(🐞)的魔(🐛)爪(🎈)？(🍬)
Satan demands worship but now he demands a meat cleaver massacre. A town under the control of the devil and a mystery killer on the loose leads to shock after shock.
A love triangle gets even more complicated once a time machine enters the picture.
一位亿万富翁探(tàn )险家将(jiāng )一艘单(🔀)(dān )人(⛩)潜水(shuǐ )艇带到海洋深处的“午夜”地带(🛫)，寻找(🥤)难(🔎)(ná(🚱)n )以捉摸(mō )的巨型(xíng )鱿鱼，但发现(🦕)了一(〰)个(⛵)更(👰)小更致命的(de )掠食者(zhě )。
An evil creature attacks a small mining town. A college student and a cranky outcast must uncover the mystery ysgou.cc of the creature's past to put an end to the bloodshed.
