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《特种(zhǒng )保(😈)(bǎo )镖(biā(🏍)o )2》以丛林(🤜)(lín )中无人区的兵(💮)工厂为故事展开(🕖)的据点，讲述了佣(👩)(yòng )兵小(📜)队因(yī(📋)n )任(rèn )务(wù )要(yào )求前往(wǎng )荒(🐫)无人烟、危险重(📗)重的工(🌃)厂，竟遭(🌕)遇刀枪不入的(de )“不(🚖)死(sǐ )军(jun1 )队(🌜)(duì )”的包围，全员陷(🌂)入危机(🦐)仍浴血(🐭)奋战的故事...

印度(⛰)每年有超(🐮)过(guò )二万宗(zōng )针(😋)(zhēn )对(duì(🥛) )女(nǚ )性(🎹)的暴(bào )力(lì )罪案(🥃)，平均每二(🛰)十二分(🌤)钟就有一名女性(🍽)被强暴(🐁)，每六小(xiǎo )时(shí )就(🧙)(jiù )有(yǒu )一名妇(fù(➖) )女因家庭暴力丧(👮)命。年轻(🧥)的基层(🐺)女警索妮与上司(sī )卡帕纳(🎡)在(zài )德(dé )里(lǐ )一(🍝)(yī )同接(🚓)手(shǒu )调(📀)查不同的女性暴(🚠)力事件，在(🏌)办案过程中往往(👝)遭(zāo )受(🕍)到了(le )重(🚯)(chóng )大(dà )阻(zǔ )力，无(🈯)日(rì )无之(🤐)的罪案令她脾气(🐁)暴躁，做(♈)事方式(🈴)偏离常规，被裁定(🖇)(dìng )在(zài )执(🌝)(zhí )勤(qí(📢)n )中行为(wéi )不(bú )当(🏝)，而私人(🔻)生活也影响到了(🎻)她的职业表现，与(📜)丈(zhàng )夫已经(jīng )彼(🎚)(bǐ )此(cǐ(🎭) )疏(shū )离(🍕)，却(què )要(yào )被迫面(🈳)对他突然(🐱)的到访。印度电影(🎮)少见的(💲)写实(shí(✈) )题材，以(yǐ )一(yī )场(📕)(chǎng )一(yī )镜(🚤)营造(zào )出真实迫(📰)力，将社(🎶)会低下(🛂)层女性受到压迫(🍭)的问题(tí(🏼) )表露无(wú )遗(yí )。

《梦(🍼)想之城(🍇)(chéng )》是一(🌂)部现实主义题材(😨)的创业电(🏮)影。影片(🍡)展现了(le )佛山作(zuò(🕡) )为(wéi )改(🚱)(gǎi )革(gé )开放前沿(〰)(yán )阵地，40年来所取(🌐)得的巨大成就和(🕰)显著变(🏺)化。故事(👾)(shì )通过描(miáo )写(xiě(🥈) )在(zài )风(fē(🏅)ng )云激荡(dàng )的(de )改革(🚺)开放大(🏐)潮中，祖(🥊)辈生活在佛山的(🛄)阿宽（保(🖍)(bǎo )剑锋饰）与(yǔ(👮) )外(wài )来(🚞)(lái )追梦(🤨)者(zhě )北北（金巧(🥍)巧饰）等(♟)人在奋斗创业路(🏂)上的不(🥅)同经(jī(🔄)ng )历、际遇(yù )和(hé(😲) )人(rén )生抉(🔵)择，展现(⚽)出佛山人“敢为人(🔀)先、崇(🚁)文务实、通济和(😠)谐(xié )”的性(xìng )格(gé(💅) )气(qì )质(zhì )和城市(🧚)精(jīng )神(✖)。

《疯狂暑(👔)期之哈喽怪物》故(🦖)事梗概：(🏋)三个小(xiǎo )孩在参(🚡)(cān )加(jiā(🦕) )暑(shǔ )期(📐)(qī )夏令营(yíng )时(shí(🏳) )突然失踪(💞)，家长们报警寻找(🐷)孩子的(💮)下落。三(🚼)个(gè )孩子走进(jì(✋)n )原(yuán )始(shǐ(⛲) )森(sēn )林迷失(shī )了(💑)方向，小(🌿)野人救(🎪)了他们，并教会了(😈)他们很多(😎)生(shēng )存(👡)技能，后(hòu )来(lái )一(☕)起与笨(🔴)(bèn )贼斗智斗勇，并(🐸)和警察成功地抓(🏙)住了坏人。

An elegant dinner, which takes place in real time, brings together a group of intellectuals in the early 90s in São Paulo, Brazil: the hosts are the editor of the country's top news magazine and her husband, the company's lawyer,...

几(jǐ(🗣) )千年前(🚴)(qián )的(de )一(🚞)(yī )场(chǎng )神秘事件(😩)(jiàn )，让楼兰(🚈)古国一夜覆灭，只(😣)留下了(😳)一块神(🎿)奇且神(shén )秘的宝(🤐)(bǎo )物(wù )—(💖)—奉天双(shuāng )鱼(yú(👨) )镜，几千(🌈)后，一场(🌷)双鱼镜的争夺之(🎟)战拉开的(🚣)序(xù )幕.....

Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.