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1995年(nián )，Jonas是个躲在(zài )柜中的14岁(suì )男孩，他(🚁)对(🤓)(duì(🗑) )英(🧝)俊(🏼)潇(🧠)洒(sǎ )的(de )同学Nathan一见(jiàn )钟情，尤(yóu )其(qí )对Nathan桀骜不(bú )驯(🚾)的(🚂)一(🌎)面(📺)(mià(🍑)n )又(yòu )爱又怕。18年后，三(🌾)(sā(🍘)n )十(shí )而立的Jonas已是风流倜(tì )傥(tǎng )的熟男，却仍在寻找(zhǎo )人生(🏇)平(⏱)衡(✍)点(🌹)，因(🕜)为挥(huī )之不去的回忆阴影，他回到睽违已久的家(jiā(💫) )乡(🥄)，试(🔶)图(🖐)在(📬)每个记忆(yì )角落，寻(😟)找(👷)(zhǎo )早已失去(qù )的线索、14岁(suì )的自己，以(yǐ )及他曾经(jīng )爱(🎞)过(🉐)的(🎻)那(🐭)个(🤵)(gè(🚤) )男孩…
在(zài )一家救济院(yuàn )，病人被(bèi )拍(pāi )恐怖片(📒)进(🛢)(jì(🖱)n )行(🆔)精(🕠)神病(bìng )研(yán )究，他们(🎟)(men )都(🍴)疯了。这(zhè )些电影被曝光了，其(qí )中五成画面是七八(bā )十(shí(♉) )年(📁)代(🗝)OOXX的(📘)场(🔹)景，给你不(bú )一样的观影体验……
“假如音乐是爱情(🗄)的(👮)(de )食(🏯)粮(🕝)，请(🏫)继续演奏吧(ba )！”以配乐(🦌)著(🧛)称并为(wéi )莎士比亚爱(ài )情喜剧《爱的徒劳》及《爱的(de )胜(shèng )利(📲)》（(😭)即(🍾)(jí(🐛) )《无(🍃)事(🔘)生非(fēi )》）注入(rù )无限活力的(de )超人气导(dǎo )演(yǎn )克(🈚)里(🛣)斯(💈)托(✋)(tuō(🏊) )弗•拉斯(sī )康(kāng )贝(🧖)（(🌓)Christopher Luscombe）携(xié )创作团队(duì )重(chóng )返埃文河畔斯特拉(lā )福(fú )德的皇(🍨)家(🔈)莎(🧜)士(🅿)比(🤘)亚剧(jù )团，执导莎翁另一部(bù )滑稽又心酸的单相思(🖊)(sī(🔧) )爱(🏡)情(✉)故(🎲)事：
Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.
武则天登(dēng )基(🎖)前(🏭)，“无头神将”怪物奇袭皇陵，屠杀(shā )官兵和工匠(jiàng )。武后派(pà(🛥)i )民(🍋)间(👘)神(📝)探(🛀)狄(⛏)(dí )仁杰调查(chá )此(cǐ )案。狄仁(rén )杰多次涉险(xiǎn )后终(🛣)于(♋)发(📄)(fā(🥒) )现(🦎)幕后黑手(shǒu )的身份(🔅)和(🍙)(hé )无(wú )头神将的(de )真面目。敌(dí )人袭击祭(jì )天大典，狄(dí )仁杰(🤳)摧(🚚)毁(♐)“无(🎋)头(🍝)神(shén )将(jiāng )”，击溃敌人，保护(hù )了武后。
電影劇情是(shì )一(🌳)部(🖼)勵(🙏)志(🍯)愛(🔪)情故事，講述男女主(⏬)角(🚞)兩人因(yīn )一次交通意外，女方(fāng )失去記憶，男方因此(cǐ )有(😊)預(❇)知(🕗)未(🐡)來(👫)(lá(🔼)i )能力。吳(wú )卓羲表示：「我哋呢(ne )套(tào )係一部愛(ài )情(📖)至(🍈)上(📱)，又(🔣)(yòu )好凄美又(yòu )浪漫(🐢)嘅(🥊)愛(📠)情(qíng )片，男女(nǚ )之(zhī )間又唔係(xì )牽涉床上(shàng )戲(xì )嘅，溫馨(♒)(xī(🌾)n )鏡(🔯)頭(⛺)嘅(🌽)床(chuáng )戲(xì )係有，都要睇劇本(běn )睇(dì )下有冇需要攬呀(🏓)錫(😲)呀(🔅)(ya )，其(🤢)實(🔄)情侶關係必須(xū )要(⏺)有(🚠)嘅，如果唔係觀(guān )眾唔知你係情侶。」
《驴为媒》故事发生(shē(♊)ng )在(🦂)当(🧙)下(💌)鲁(💦)西(📳)大地上的(de )聊城市，讲(jiǎng )述的是在(zài )京打拼多年(nián )的(🦋)有(🥑)志(⛪)青(🗼)(qīng )年(nián )，得知老(lǎo )家(🤹)惠(🅾)民(㊗)政策(cè )后，回乡(xiāng )养驴、带领(lǐng )村民脱贫(pín )致(zhì )富，实现(🏖)(xià(🈺)n )自(🌺)己(🦓)创(🔣)业(yè )梦(mèng )，并赢得爱情的故(gù )事(shì );讲述了党的精准(🚇)扶(🔖)(fú(🥊) )贫(💱)(pí(🍹)n )政策和乡村振兴战(🈳)略(🗂)(luè )在齐鲁大地的生动实(shí )践，展现了基层党员(yuán )干部在(🏑)全(♍)面(🌲)建(🚟)成(✈)小(🔍)康(kāng )社会进程中的“主心(xīn )骨”形象。电影《驴(lǘ )为媒》坚(🍄)持(⬅)(chí(❣) )“小(➡)成本(běn )、大情怀、正(😊)能(🆎)量”的(de )创作宗旨(zhǐ )，紧扣当前(qián )乡村振兴(xìng )和精准扶贫(pí(🚹)n )主(🥩)题(✖)，将(🗽)(jiā(🏃)ng )社(shè )会效益、价值引领(lǐng )放(fàng )在首位，引导人们(men )努(🏾)(nǔ(🥓) )力(👝)实(🗒)现(👣)个人前途与(yǔ )国(guó(🥈) )家(💷)命运、个体经历与(yǔ )时代大潮、个体情感(gǎn )与国家情感(🌺)的(🎒)同(🥧)频(😑)共(🚇)(gòng )振，激励人们向上向(xiàng )善，自觉践行社会主(zhǔ )义核(🚪)心(🚮)价(🔠)值(🔘)观，讴歌(gē )党、讴歌人(🔋)(ré(🤵)n )民、讴歌(gē )新时代。
Eela is an aspiring playback singer and single mother. She has given up all her dreams to raise her only son. But now her baby son 'Vivan' is all grown up and being a typical young millennial, doesn't want his mother's life to revolve around him. But being an over protective mother, Eela has other ideas and joins her son's college to spend more time with him. Unfortunately her plans backfire and she suffers a backlash from Vivan for invading his privacy. Will Helicopter Eela manage to salvage her relationship with Vivan and find her calling again?
