《连续剧野鸭子》6

80年代末期，生活在宁(🅾)(níng )夏(🌂)矿区(qū )的小两(liǎ(🤽)ng )口(🐾)陈志(zhì )平（张多饰）(🏨)和周(🧙)淑萍（卢珊饰(shì(🌬) )）(😩)过着(zhe )平凡又(yòu )安宁的(🕠)生活(🥎)。但嗜赌如命(mìng )的(🤮)大(🌽)伯(bó )哥（杜(dù )旭东饰(😥)(shì )）(🛒)被人追债追到家(💧)里(🦉)(lǐ )，紧接着父(fù )亲（郭(🤕)(guō )九龙饰(shì )）被气死(⭐)、(⭕)母亲（刘(liú )爱玲饰）(😌)被(bèi )逼疯、就连陈(ché(🎱)n )志(🔣)平(🌒)也(yě )在矿上受伤(🛑)，加(🍒)上早年就(jiù )因车祸(huò(🎁) )下身(📼)瘫(tān )痪的弟(dì )弟(🐬)陈(💆)志军，一家人全体陷(xià(😱)n )入困(💣)境(jìng )，只有(yǒu )周淑(🐭)萍(📐)(píng )一个女人担负起了(⚽)拯救(📆)家(jiā )庭的重(chóng )任(🤛)...

An elderly woman, a war veteran, recalls her experiences as a member of the all-female bombing squad nicknamed 'Nachtexen' (Night Witches) during World War II

贤(➿)真(zhēn )搬进了(le )破旧不堪(🈵)的小(✖)镇公寓，由(yóu )于隔(🔪)壁(🎁)(bì )邻居的(de )吵闹声(shēng )，睡(💡)不着觉。但是公(gōng )寓管(💣)理(🦒)员告(gào )诉贤真(zhēn )，整栋(🦌)(dòng )大楼并无其他租客(🔥)。怪(📗)事接二连(lián )三而来(😝)(lá(🏊)i )，所有(yǒu )的一切(qiē )似乎(😲)都(💺)指(🔖)向了叫珠熙的神(📌)(shé(🍦)n )秘女子(zǐ )。

对于(yú )威斯(🏵)特(tè(🕺) )与他的搭档来说(🌛)，近(㊙)日道(dào )上的纷(fēn )扰看(⏬)起(qǐ(🔡) )来就像(xiàng )是一般(👵)的(♟)黑帮地盘斗争，但随著(🎀)(zhe )警方(🔼)派(pài )出的卧(wò )底(🎻)被(🤝)逮，头号黑帮索斯开始(⭕)大肆(sì )活动，一一夺(duó(🛴) )取(🔝)其他势力拥有的神(shé(⌚)n )秘物件，他(tā )们才意(yì(👧) )识(🍙)到有(yǒu )人企图夺取神(📹)一般的(de )超自然力量(lià(📽)ng )，破(🎢)坏(🚅)(huài )现有的(de )势力平(🔺)(pí(📭)ng )衡。

An homage to European exploitation of the 60s and 70s. A man searches for his missing girlfriend, who has been abducted by a clan of vampires, led by an insane Nazi doctor. He must now battle this horde of bloodsuckers in order to retrieve the soul of the woman he loves, and save his own from eternal damnation.

When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.