好运来
港台剧
2024/台湾
更新至83集
愿望
江宏恩,黄少祺,陈冠霖,楚翔,江祖平,霍正奇,江国宾,林佑星,林萱瑜,黄玉荣,李睿绅,陈子玄,李家庆,华千涵,张琴,何依霈,陈谦文,罗巧伦,韩宜邦,德馨,游诗璟,廖苡乔,夏语心,尹昭德,郭亚棠,许钧钧,刘晓忆,邹承恩,邱子芯
港台剧
2024/中国台湾
更新至203集
新爱神之影
米克·通拉亚,娜塔查·查扬卡浓,卡宁·普特玛南
港台剧
2025/泰国
第4集
血系之恋
提拉达·迈特瓦拉育,耶娜·萨拉斯,帕斯威奇·布拉纳努特,茶诺素妲·兰莎纳维斯,图查蓬·库旺博迪特,查妮达·彭西皮帕特,芮塔·彭安,柏华力·莫高彼斯彻
港台剧
2025/泰国
第3集
麻甩妈咪
余香凝,黄德斌,陈秀珠,沈贞巧,陈瑞辉,邱傲然,陈子丰,岑乐怡,许宝恒,黄文慧,陈辉虹,陈安莹
港台剧
2025/中国香港
第6集
民歌欧巴
塔纳功·斯里班宗,帕希塔·安缇楠塔莎,兰达帕·蒙塔卢帕,安卡娜·沃拉茹塔娜彩
港台剧
2025/泰国
第2集
《夜关门欲望之花》
理查德·麦登,佩丽冉卡·曹帕拉,斯坦利·图齐,阿什莉·卡明斯,莫伊拉·凯利,凯奥林·斯普林加尔,莱丝利·曼维尔,蒂莫西·布斯菲尔德,罗兰·默勒,奥赛·伊克希尔,安迪·M·米利根,Alex Brock,Peter Parker Mensah,Lee Baylis,约瑟夫·米尔森,奥莱加·费多罗,利奥·伍德尔,若塔·卡斯特尔诺,吉安尼·卡尔切蒂
港台剧
2024/台湾
更新至83集
地鸣
林中行
港台剧
2024/中国台湾
更新至203集
《爱在那一天》
简捷
港台剧
2025/泰国
第4集
1408幻影凶间
原口大輔
港台剧
2025/泰国
第3集
误入军统的女人
罗素·克劳,丹尼尔·祖瓦图,艾丽克斯·埃索,弗兰科·内罗,彼得·德索萨,劳雷尔·马斯登,科内尔·约翰,瑞安·奥格雷迪,帕洛玛·布洛伊德,亚历山德罗·格鲁塔达乌里亚,里弗·霍金斯,乔迪·科莱特,爱德华·哈珀-琼斯,马修·西姆,汤姆·伯宁顿,埃德·怀特,拉尔夫·伊内森
港台剧
2025/中国香港
第6集
《寻找身体》
Burlingame
港台剧
2025/泰国
第2集
“NO BORDER 2D×3D” を(💀)キ(🚇)ャッチフレ(🥨)ーズに掲げ(☕)、2Dと3Dの境目を(⏪)なくすクリ(🌶)エイティブ(⏩)な活(huó )動を目(🍭)指す3DCGプロ(📉)ダクション(❣)“Picona Creative Studio”。本作(zuò )はどん(😛)なものでも(🐟)捨(shě )ててみ(👟)せるゴミ捨て(🌾)屋(wū )コンビ(🚥)と、魔法を(🕶)捨(shě )てたい魔(🏏)女が繰り広(🚺)げ(🛁)る、ファ(💧)ッション× ポ(🐻)ップ× アニ(🐹)メをキーワ(👣)ードに魔法と(📍)科学(xué )を絡(🏝)み合わせた(🏥)ス(🏯)ラップステ(❤)ィック・ア(🕥)ニメーション(🍯)。同社が長年(🦓)(nián )温めてき(🗡)たオリジナル(🐠)企画が、つ(🎧)いに実(shí )現(🦉)(xiàn )!
牧江村郊野(👬)山藏(cáng )有(yǒ(🍺)u )一怪,赤面獠(🦈)牙,名(míng )曰垃圾(😄)人,他身世神(😱)(shén )秘,以垃圾(🌇)为食,日(rì )遇村(🛁)(cūn )妇马秀娟(🛡),将(👤)其掳掠(luě(🏣) )。马秀娟通过与(😷)垃圾(jī )人(ré(😕)n )的交往,发现(🚦)他虽(suī )丑(chǒu )陋(🚐)骇人,却心地(🎛)单(dān )纯(chún )。但(🤧)天(✳)不遂人愿,“单(🔴)纯(chún )”的垃圾(😶)人却将(jiāng )马秀(🐀)(xiù )娟视为配(🗽)偶,囚(qiú )于废(🗼)(fèi )弃厂房。矿山(🌈)老板徐(xú )东(💈)南徐西北两(💗)兄弟欲(yù )借(jiè(👽) )炸山除垃圾(🐁)人之名(míng )在(😄)(zài )野山非法拓(👆)矿,全(quán )然(rá(🕌)n )不顾马秀娟(🐺)安危。而(ér )垃圾(💷)(jī )人通过马(🔎)秀娟逐(zhú )渐(🍬)了(le )解人类的尊(🐗)重与爱,遂将(🏻)其放归牧江(😠)村。马(mǎ )秀娟得(👔)知徐东南阴(🅰)(yīn )谋(móu )后为(👎)救(🈺)垃圾人与之(💫)(zhī )抗(kàng )争,最(🏄)终被绑于山(shā(🛒)n )上(shàng ),垃(lā )圾(🍩)人为救马秀(⌛)娟(juān )与徐(xú )东(🤽)南死命相搏(🛒),后被(bèi )徐东(🗜)南炸死。环保组(🙏)(zǔ )织声明垃(🕹)圾人出现乃(📀)(nǎi )牧(mù )江村的(🎒)环保意识薄(🥞)(báo )弱(ruò )之恶(🏛)果,垃圾人本(bě(🆒)n )无(wú )罪,罪在(📷)人心对环境(🥝)(jìng )的态(tài )度,并(😬)呼吁民众(zhò(❌)ng )善待(dài )环境(⬅)。
一位被誉(yù )为(👯)“神龙大仙”的(📱)少年龙(lóng )九(🐁)郎(👸),自上次他求(🔅)雨(yǔ )成(chéng )功(🐙)后镇上的民众(😥)深(shēn )信(xìn )他(🏖)拥有法力,把(🚠)他(tā )视(shì )为神(👼)灵。眼看旱季(👓)又(yòu )到,龙九(🔪)郎却心神不(bú(🕟) )宁, 原来他根(🈸)本不会什么(🚋)(me )法术,上次求雨(♍)成功(gōng )完(wá(📿)n )全就是靠运(🗃)气。他(tā )决(jué )定(🕡)连夜逃跑,却(🎙)被(bèi )村(cūn )民(🧓)发现狂追。在悬(🚍)崖(yá )边,龙九(🔗)郎被村民包(🎈)(bāo )围,突然一道(🏦)黑影出(chū )现(😃)在(zài )他面前,是(🐷)一个三十(shí(🍋) )多岁的男人(📞),还未做(zuò )出(chū(⚾) )反应男子抓(😐)住了龙(lóng )九(😆)(jiǔ )郎的胳膊,只(🙄)见两(liǎng )道(dà(🚂)o ) 黑影从人群(🎆)中极速闪(shǎn )过(⛔),两人消失的(♋)无影(yǐng )无踪(🙆)(zōng )。
It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.
Laura Wagner has a promising career as a young auctioneer, but her life looks set to fall apart when she's the victim of a rape. The rapist is a well-known and respected gallery owner, and the assault takes place after a cocktail party. Laura knows it's unlikely she'll be believed if she files a complaint. But that same night the gallery owner's wife is murdered at home, and the husband is a suspect. His alibi is that he was raping Laura. When the police ask Laura to confirm the alibi, she realizes she can take her revenge by letting her rapist be convicted of murder
SAM哥飾型格(🤗)幹探重(chóng )案(🎟)組梁SIR 調查案(🕒)件,可(kě )能(néng )是(🍥)一隻變種兇(🌴)獸攻(gōng )擊(jī(⛎) )人類,他要消滅(👀)兇(xiōng )獸(shòu ),拯(🕘)救世界
Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.