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在贝(🦍)鲁(lǔ )特一个街角(🔹)的(🚆)咖啡店二楼，有一面大(🔁)大(🍲)(dà )的转角窗(chuāng )和(📡)一(🏅)台电(diàn )视机，一(yī )位78岁(🐔)的(🚟)退(🗻)(tuì )伍(wǔ )将军和(hé )一(yī(🌧) )位(🍦)81岁的退(tuì )伍军医(🗽)每(🅿)(měi )天早上都(dōu )会在这(😧)里(♈)碰面，看着街角车(🏍)来人往，做着填字游(yóu )戏，以(🚞)此(🛥)(cǐ )对抗阿茨(cí )海默综(🏿)合(🔘)(hé )症。伴随(suí )两位(🐷)老(🙏)人(rén )的玩笑和(hé )字谜(🌹)，咖(🕳)(kā )啡馆的顾(gù )客纷纷登(dē(⛷)ng )场。本片(piàn )用发生(🍏)在(➗)(zài )一个社会(huì )小角落(💡)16天(😥)(tiān )之内的一系列(🎗)事(😌)件，四两拨千斤地讨论(😝)(lù(🔒)n )了(👽)人生、政治、历(lì )史(🛅)等(🐽)话题(tí )；通过单(🎫)(dā(🌕)n )场(chǎng )景多幕(mù )剧(jù )的(🌮)结(👤)构让(ràng )人感受到(⛔)(dào )老人们的(de )孤独，以及疾病(🈺)带(🔒)来的苦涩，同时映射出(🌏)黎(⛏)巴嫩(nèn )暴力事件(🍴)(jià(💨)n )肆虐的现(xiàn )状。以小(xiǎ(👋)o )见(🏫)大，令(lìng )人回味。

不管这导(dǎ(🤵)o )演嗑了什(shí )么很(😈)纯(🍁)的(de )，全部都(dōu )要给你来(📏)(lá(👻)i )一点！在(zài )澳洲这(🐬)座(🔘)(zuò )曾经被称(chēng )作「无(🤣)主(🦐)之(🏓)地」（Terra Nullius）的大陆，历史(🔫)以(🌯)前(qián )所未见的(de )观(🕟)点(🕞)重新(xīn )诠释：当(dāng )《疯(🛃)狂(🍦)麦(mài )斯(sī )》末日(rì(💔) )场(chǎng )景成为难(nán )民拘留地(📭)(dì(☝) )，食人羊(yáng )成为反殖民(🎋)叛(🌬)乱份子，《沙漠妖姬(🏜)》与(😦)电视剧《请喜欢我(wǒ )》有(🔎)了(🍢)跨(kuà )时空的酷(kù )儿对话…(👼)…本片以(yǐ )近似(🐖)DJ取(❄)样(yàng )混音之拼(pīn )贴手(📋)法(📽)，打开了虚(xū )构与(⏳)史(🚵)实(shí )间的神秘(mì )黑洞(😔)，大(❗)(dà(🥖) )量援引电(diàn )影名场景(🛌)与(🤞)历史典故，穿越时(✔)(shí(🏇) )空与各种(zhǒng )语境，重(chó(🐣)ng )写(📖)、改写(xiě )、乱写(🍋)，全面毁坏(huài )观(guān )众的三(sā(🤼)n )观(🏼)(guān )！这是一(yī )部政治复(🐋)(fù(🕍) )仇预言，杂揉讽刺(🍮)喜(💧)剧、生态恐怖与公路(😊)电(🗝)影类型，写下(xià )澳洲国族(zú(🍳) )神话从未(wèi )被纪(🚖)录(🚞)的(de )史诗篇章(zhāng )。

The full-length feature film "Azor", filmed in Mordovia by enthusiasts Victor Chichaykin and Alexander Uchevatkin, was ready a year ago. In autumn of 2017, the creators organized a test show, inviting connoisseurs of ethnography, ancient traditions and people interested in the theme of the history of the Erzyan people.

Seventy-two hours from the final of an international female bodybuilding championship. Lea Pearl is set to compete for the prestigious title of Miss Heaven. But her past catches up with her when her ex-lover Ben shows up with the six-year-old son she hardly knows.

Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western – they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.

ユ(❌)ミ(🚎)は夫と娘の３人(♟)(ré(🐑)n )暮らし。近々引っ越し(🎬)を(🍢)考(🍳)(kǎo )えている。ユミは娘(🎪)の(🏘)レイナが時折う(📹)わ(💢)言を発することが、(😲)少(🙇)々気にかかって(👊)いた。転居の報告も兼(jiān )ね(😡)て(🍼)友人ヒロミと久(jiǔ )々(🥚)に(🤳)再会(huì )するユミ(🏄)。話(🥄)題はいつしか「あの(🥟)日(👩)」のことに。「私たちが埋めた時、本(běn )当(🙀)に(🐍)死んでたのかな？」(🕤)。ユ(🕴)ミは「あの日」(🚝)の(❇)ことを清算すべく、(🎼)サ(🛎)エ、アコにも再会を決(🅿)意(🐠)し、廃墟のよう(🐼)な(👌)家に一人で住むサエ(📳)に(🔞)会(huì )いに行く。サ(🌕)エ(〰)は、見知らぬ少女が現(😻)(xià(😩)n )れて娘だと言って聞(🐞)か(😍)ず、しばらく一(💑)緒(😤)に暮らしていたが死(👼)ん(👾)だこと、そして少女(nǚ )は死んだままその(🦕)家(🌪)の３階(jiē )に寝かされ(🤨)て(🚅)いるということ(🥐)を(🚋)話し出す。(C)「黄泉がえ(🛏)る(📥)少女」製作委員(yuán )会

UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.