印(yìn )度(🛵)每(měi )年有超过二(💰)(èr )万宗(zō(🔭)ng )针对女性(🉐)的暴(bào )力(🏊)罪案，平均每(měi )二(🍕)十(shí )二分钟就有一名女性(😪)被强暴，每(🐫)六(liù )小时(🥙)(shí )就有一名妇女(🗂)因家庭暴(🕧)力(lì )丧命(💘)(mìng )。年(niá(⏲)n )轻的基层(❄)女(nǚ )警索(😥)妮与上司卡帕(pà(🔨) )纳在德里(🎰)一同接(jiē(Ⓜ) )手调(dià(😽)o )查不同的(👌)女性(xìng )暴(🥠)力事件，在办(bàn )案(🌷)过(guò )程中(🎒)(zhōng )往往遭(🐶)受到了(😇)重大阻力，无日(rì )无(💍)之(zhī )的罪案令她(🕺)脾气暴躁(🎥)，做(zuò )事方(🎿)(fāng )式偏(piā(📯)n )离常规，被(bèi )裁定(🦁)(dìng )在执勤中行为(wéi )不当，而(🔦)私人生(shē(🧥)ng )活也(yě )影(😮)响到了她的职业(🙅)表现，与丈(🦈)(zhàng )夫已(yǐ(♓) )经彼(bǐ(🍲) )此疏离，却(📕)要被迫面(🕯)对他(tā )突然(rán )的(🐽)到(dào )访。印(🐖)度电(diàn )影(🚽)少见的(🌕)写实题材(🛵)(cái )，以一场(😗)一镜营(yíng )造出(chū(🤱) )真实迫力(🧣)，将(jiāng )社会(🍠)低下层(🏭)女性(xìng )受到(dào )压迫(📴)(pò )的问题表露无(🗻)遗。
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
《水族(zú(⌛) )魂1944》电影(yǐ(😟)ng )取材于上(♍)世纪40年代抗日战(❓)(zhàn )争日(rì )本投(tóu )降前夕，发(🈵)(fā )生在(zà(❗)i )贵州三都(📽)水族(zú )自治县九(😖)阡镇的(de )真(🎠)实(shí )历史(🐞)事件。编(🕤)剧多次实(🎭)地采风(fē(🐍)ng )走访(fǎng )，在(zài )走访(😆)了当年亲(🥀)历者和掌(🥛)握(wò )大(🎞)量(liàng )的史(💢)(shǐ )实资料(🦇)后，通过写实的手(♉)法再(zài )现(🐊)了当年水(💀)族人(ré(🏉)n )民英(yīng )勇抗击日本(🧞)侵(qīn )略者的故事(🔴)，体(tǐ )现了(❕)(le )中国(guó )人(🤳)民抗击侵(📯)略者的决心，谱写(🗄)(xiě )了一(yī )曲贵州少数民族(🔜)人民抗击(🕹)(jī )日本(bě(👑)n )侵略(luè )者的英雄(😭)赞(zàn )歌！《水(🚸)族魂1944》这(zhè(😯) )部电影(📉)在抗日战(🦏)(zhàn )争爆(bà(🚪)o )发80余年后的今天(🍩)推出，其真(🙇)正(zhèng )意义(🌩)(yì )于中(🈳)(zhōng )华民族(🚎)抗战有益(🧘)，更是贵(guì )州抗(kà(🎟)ng )战历(lì )史(🚚)上不可磨(🍉)(mó )灭，是(🐵)光辉灿烂，浓墨重彩(📼)的一笔(bǐ )，对(duì )贵(📪)州少数民(🏂)族(zú )抗战(🤔)的肯定和(👇)宣(xuān )扬有(yǒu )着重(📙)(chóng )要的作用。
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
西部荒野，住(zhù(⛓) )着麦(mài )克(🍑)林(lín )夫妇(🌹)——伊萨克（阿(🍢)什利(lì )·(⬇)祖(zǔ )克曼(🐭)(màn ) Ashley Zukerman 饰）(🚴)和莉兹(zī(🌶) )（凯(kǎi )特(🐷)琳·杰拉德(dé ) Caitlin Gerard 饰(👫)）。这里条(😉)件(jiàn )艰苦(🏩)(kǔ )，环境(🍴)恶劣，人烟(💅)稀少，野兽(🌑)(shòu )横行(háng )。莫(mò )大(🛐)的孤寂令(😱)莉兹时常(💽)警惕(tì(🍤) )地环(huán )视四(sì )周，防(🔹)备一(yī )切可能的(👊)危险。某(mǒ(📻)u )天，哈普尔(🔆)夫妇(fù )—(💟)—吉迪恩（迪伦(🥂)(lún )·麦蒂 Dylan McTee 饰）和艾(ài )玛（(🧣)茱莉(lì )亚(🎋)·古丹妮(🚰)·泰勒斯 Julia Goldani Telles 饰）搬(📏)到(dào )了麦(🌀)(mài )克林家附近，成(👉)为他们的(🍺)(de )邻居(jū )。两(🥈)(liǎng )家人很快就(jiù(🚀) )成了(le )好朋(💐)友，特别(bié(🈳) )是莉兹(👊)有了艾玛(🐳)(mǎ )这个(gè(🈴) )好姐妹，似乎心理(📠)也正常了(💣)许(xǔ )多。
《被(🚘)(bèi )遗忘(🥃)的季节》是一部惊悚(⤴)(sǒng )片，讲述(shù )了一(♉)个平凡(fá(🙋)n )的人在成(🙊)为杀人犯(✳)(fàn )的过程中出现(🧀)的(de )互助(zhù )、放任等人类(lè(🍈)i )心理。将平(🤚)凡而(ér )又(👣)寒(hán )心的(de )无业游(🎷)民设定为(📲)犯人，将(jiāng )弟弟(dì(🐂) )设定(dìng )为(🐀)充满出人(👭)头地欲望的记(jì(🕣) )者，将偶发(🤐)性的一次(🏦)(cì )杀人(🚥)(rén )与另一(⛱)个个人(ré(👷)n )的欲望相遇，如(rú(👡) )何演(yǎn )变(⏳)成连环杀(🙈)人，平凡(✳)的犯人为(wéi )什么(me )成(😞)为(wéi )怪物。
When Max, a down on his luck strip club owner, has his life and livelihood threatened by local gangsters, he turns to his wife's connections for help and hires a hitman to solve the problem once and for all. But before long, Max is blinded by his newfound power and his family finds him spinning off the rails as the body count piles up.
Jay Tanner and his crew have been getting rich off of faking demon hunts and posting them on YOUTUBE. Unfortunately for Jay and his crew this demon hunt turns real.
1995年，Jonas是个(🎮)躲在柜中(🌎)(zhōng )的14岁(suì(🤵) )男孩(há(🆔)i )，他(🐍)对英俊(jun4 )潇洒的同(🍖)学Nathan一见钟(zhōng )情，尤其对Nathan桀骜(🔮)(ào )不驯(xù(😥)n )的一面又(😈)爱又(yòu )怕。18年后，三(👙)十(shí )而立(lì )的Jonas已(yǐ )是风流(📀)倜傥的熟(👭)男，却仍(ré(⛲)ng )在寻(xún )找人(rén )生(🥅)平衡点，因(💌)为挥之不(🎸)去的回(🎨)(huí )忆阴影(😹)，他回到(dà(🏓)o )睽违(wéi )已久的家(🙇)乡，试图在(🐚)每个记忆(🌖)(yì )角落(👭)(luò )，寻找早已失去的(🕺)线索、14岁的(de )自己(🍐)(jǐ )，以(yǐ )及(🥚)他曾经爱(🚘)过的那(🅿)个男孩(hái )…
Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.
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