南宋时汉水(shuǐ )流域(yù )河(hé(🥩) )盗(🌍)猖獗(jué )，朝廷(tíng )为(wéi )剿灭(🌇)匪(😻)患(👩)派出“横江军”精英章盖出(🎒)任(🎙)特(🙌)使，稽查(chá )河(hé )上大案(à(😚)n )。查(🚩)案(🗞)(àn )中(zhōng )与退役军人莫客(⬆)偶(🍤)遇(🤠)，二人在误会中建立友谊(🤔)。恰(♎)逢(féng )莫(😿)客(kè )亲(qīn )人(rén )女孩(há(🕰)i )玉(yù )佩(🙄)被河盗掳走，二人携手(🏬)救出玉(🐾)佩和被拐儿童，将河(hé(🏦) )盗正(zhè(🌀)ng )法(🙆)(fǎ )，还一(yī )方(fāng )平安(ān )。
来自(🦍)《超(➰)人特工队》、《海底奇兵》、《反(😑)斗(⚾)(dòu )奇兵(bīng )》的幕后(hòu )精(jī(🎟)ng )英(⬆)班(📐)(bān )底(dǐ )，为你献上多部迪(🦀)士(📝)尼(🐈)‧彼思小小大杰作，包括(⚪)勇(😗)(yǒ(👞)ng )夺(duó )金像奖(jiǎng )「最佳(jiā(🔱) )动(🐟)(dò(🐶)ng )画短片」的《BB肚饿鸟》﹙2016年(📓)﹚(🔋)，还有荣(Ⓜ)获奥斯卡提名(míng )的《奇(🎓)(qí )幻英(📴)雄(xióng )联(lián )盟》﹙2015年﹚和(🐭)《Lou》﹙2017年﹚(🧤)等好评之选，额外加送(🥉)两套(tà(🍶)o )迷(🌄)你(nǐ )电(diàn )影合共(gòng )13个(gè )惊(🔔)喜(🥍)(xǐ )，让你与一众心爱角色时(🌹)刻(😷)相聚，同渡段段难忘(wàng )快(🐋)乐(🔰)(lè(🍁) )好(hǎo )时光！
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
一(yī )位被(bèi )誉(😺)(yù(㊙) )为(🌼)“神龙大仙”的少年龙九郎(🏘)，自(🕓)上(🔥)次他求雨成功后(hòu )镇上(🐺)的(👮)(de )民(😙)(mín )众深(shēn )信(xìn )他拥有法(🐀)力(🥅)，把他视为神灵。眼看旱季又到(🧣)，龙九郎(🌔)(láng )却心(xīn )神(shén )不宁， 原(🦄)(yuán )来他(🔱)根本不会什么法术，上(🗒)次求雨(👓)成功完全就是靠运(yùn )气。他(tā(⚡) )决(🔸)定连(lián )夜(yè )逃跑(pǎo )，却被村(💌)民(🥥)发现狂追。在悬崖边，龙九郎(👯)被(🖤)村民(mín )包围(wéi )，突然一(yī(⏹) )道(📰)(dà(💫)o )黑影(yǐng )出(chū )现在他面前(🍢)，是(👹)一(🥫)个三十多岁的男人，还未(🔑)做(🥜)出(👐)反应(yīng )男子抓(zhuā )住(zhù )了(💌)龙(🐟)(ló(📳)ng )九(jiǔ )郎的胳膊，只见两道 黑(🥄)影从人(💊)群中极速闪过，两人消(🔞)(xiāo )失的(🤗)(de )无(wú )影无踪(zōng )。
华小帅(🥖)性格腼(😪)腆懦弱，时常陷入自我幻想中(😓)无(📩)法自拔(bá )。刚(gāng )进(jìn )大学就(🚊)(jiù(🎇) )被(bèi )“热(rè )心(xīn )”学长强势欺(🙆)负(⚡)。又因为性格内向无法融(💔)入(🏧)集(⭕)(jí )体，三(sān )个室友(yǒu )为(wé(📇)i )了(👋)帮(😸)(bāng )助(zhù )他走出自我，决定(🎬)“强(🍒)迫(🛳)”他追求班花、做自我激(🥤)励(🎼)(lì(😖) )训练。然(rán )而事(shì )与(yǔ )愿违(😒)，华小帅(🗜)屡屡挫败，意外不断，期(🐍)间杀出(🤽)跑车男(nán )来搅(jiǎo )局(jú(🧐) )，华小(xiǎ(🍚)o )帅(shuài )阴差阳错被班花“指定”成(⏹)男(🚅)友，他还没来得及高兴(xìng )又(🚊)“被(🍣)(bèi )分手”了(le )，经(jīng )历(lì )了短暂(🚫)的(🛩)“爱情”波折后华小帅反而(⛴)有(👰)所(🐝)领悟(wù )。在(zài )一(yī )次偶遇(🌚)(yù(🚁) )交(🌥)(jiāo )通事(shì )故(gù )中，华小帅(😱)的(🐻)内(🎅)心彻底被点燃，他挺身而(🧐)出(💉)拦(🚻)下肇事(shì )的跑车(chē )男(nán )，同(🎿)(tóng )时(shí(🔖) )也认识了郝玉清，从此(🚖)他也逐(🏕)渐打开心门，勇敢地做(💹)(zuò )自己(🔼)(jǐ )。小帅和(hé )三(sān )个好兄(xiōng )弟(🐊)上(📅)演了一出爆笑青春成长故(📦)事(📪)。
Six individuals end up in a Hotel in the middle of nowhere with a very eccentric caretaker. They haven't arrived by accident. Age old, evil powers are within the hotel and behind the walls a deep dark secret hides. They have to survive the night but not everyone is whom they seem.
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.
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