一个(gè )年轻女(nǚ )孩(📩)爱(🐌)(à(🥝)i )上(😓)(shà(〰)ng )了(🚨)一(😏)(yī(♏) )个(😻)比(🥃)他(🚣)大(🔪)八岁的男人。
人據說一生最多有十萬條頭髮(fà )，每一(yī )條頭(tóu )髮質感(gǎn )長度有(yǒ(🕕)u )異(🥚)，但(⛔)(dà(🔖)n )都(🐉)承(chéng )載著煩(fán )惱的回憶。「時光理髮」剪掉的不只是頭髮，還有街(jiē )坊不快(kuài )的記(jì )憶。行(há(🥂)ng )將(⛰)式(🏳)微(🍆)(wē(😬)i )的(🎩)舊(✡)式(📁)(shì )廣東(dōng )理髮店(diàn )店主海泉叔指望兒子長發繼承衣缽，不過兒子卻更想(🍄)(xiǎ(🥚)ng )當(📆)文(🌈)(wé(🆔)n )青(🎯)(qī(🛩)ng )，希(🛣)(xī(🔂) )望(🦓)透(🍊)過(😴)(guò )文字和(hé )音樂(lè )改(gǎi )變世(shì )界。一次意外，長發被迫代父親落場當師傅，透過理(🖊)(lǐ(😲) )髮(📙)為(🍁)街(🌍)(jiē )坊排(pái )憂解難(nán )，更與(yǔ )離家出(chū )走少(shǎo )女相遇(yù )相知，重新反思自己的前路。傳統理髮店(🎋)交(🗿)織(♉)舊(✉)區(🆘)鄰(🍒)(lí(🧚)n )里(😬)人情(qíng )，《點五步(bù )》男角(jiǎo )岑珈其(qí )化身(shēn )理髮店(diàn )傳人，演出清新自然。
人(🐒)據(🔀)說(🔑)一(😳)生(🗝)最(🍬)多(😛)有(🗑)十(🚌)萬(🛷)條(🐆)頭(🏴)髮(fà )，每(měi )一(yī )條頭(tóu )髮質感(gǎn )長度有(yǒu )異，但(dàn )都承(chéng )載著煩惱的回憶。「時(🥃)光(⏯)理(⌛)髮(🥢)」(❔)剪(🍉)掉的不只是頭髮，還有街(jiē )坊不(bú )快的記(jì )憶。行(háng )將式微(wēi )的舊(jiù )式廣東(dōng )理髮店店主海(😥)泉(🚩)叔(🐷)指(🏷)望(🕟)兒(🔗)子(💢)長(📔)發繼承衣缽，不過兒子(zǐ )卻更想(xiǎng )當文(wén )青，希(xī )望透過(guò )文字和(hé )音樂(⏮)(lè(♋) )改(🕑)變(🎏)世(🆓)(shì(🈁) )界(🚙)。一(🔻)次(📊)意(🚭)外(🏓)，長(🙎)發被迫代父親落場當師傅，透過理(lǐ )髮為(wéi )街(jiē )坊排(pái )憂解難(nán )，更與(yǔ )離家(💁)(jiā(🏒) )出(🗜)(chū(🗨) )走(😍)少(🍬)(shǎo )女相遇相知，重新反思自己的前路。傳統理髮店交織(zhī )舊區鄰(lín )里人(rén )情，《點五步(bù )》男角(jiǎ(🐴)o )岑(🌅)珈(🔮)(jiā(🔣) )其(🕷)化(💚)身(🌰)(shē(📬)n )理髮店傳人，演出清新自然。
In the year 1920, when India's freedom movement was gaining momentum, one man firmly believed that the Britishers were not as bad as they were being made out to be.
女演员蜜拉参加她的最(zuì )后一次(cì )试镜(jìng )。试(🐱)镜(♌)(jì(🐑)ng )地(🦅)点(🐀)是(🆎)(shì(🍆) )在(⛔)远(💡)郊(🌫)(jiā(🕒)o )的(🗡)破(pò )旧古宅(zhái )里。蜜拉同其他五位女演员及经纪人一起来到这里，并结(jié )识(shí(🉑) )了(🐴)新(🌕)(xī(➰)n )片(✔)的剪(jiǎn )辑师翟(zhái )立川(chuān )。很快(kuài )，杀人事件发生，女演员接二连三遇害。蜜拉与翟立(lì )川一边(biān )寻(🌋)找(😐)(zhǎ(👩)o )出(🏮)口(🍧)，一(⛰)边(🏪)遭(zāo )遇各种(zhǒng )奇异(yì )怪事及(jí )同伴的死亡。在一次突发事件后，蜜拉与翟立(🔫)川(👫)失(📙)散(💇)(sà(🎄)n )，并(🈶)遇(🔍)(yù(😟) )见(📮)了(🔸)(le )被(🐒)绑在(zài )献祭架(jià )上，奄(yǎn )奄一(yī )息的孕(yùn )妇山岸莞优，莞优请求蜜拉帮她找到药(🔁)品(⏰)止(🤱)血(🍔)，并(🌮)提(tí )示她(tā )小(xiǎo )心翟(zhái )立川。蜜拉在(zài )寻药(yào )过(guò )程中(zhōng )发现了翟立川的真面目，遭到他疯狂(🐛)追(🌓)逐(🏹)…(📅)…(🔡)
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
Since early childhood, Bjö(😽)rn has secretly carried an insurmountable fear. When his father dies of old age, he and his four sisters are each left with a video message, that makes him question everything. Director Johan Lö(🉑)fstedt’s extended family play themselves in a heartfelt and unconventional film about life, death and the courage to change
前滑雪(xuě )俱乐(lè )部种子(zǐ )选手，现任雪(xuě )场无(wú )照小商(shāng )贩的女孩雅琪(🚒)捡(🗻)到(🦐)了(🥧)一(📳)个(💛)来(🚢)自(😡)异(🚎)世(🍜)界(🐶)自称滑雪冠军的(de )英俊青(qīng )年穆(mù )勒。雅(yǎ )琪为了(le )骗穆勒(lè )的装(zhuāng )备和技(jì )术去(🕟)参(🎁)加(♿)比(🍄)赛(✝)拿奖金，谎称帮夺冠就可以解除他身上(shàng )的“诅(zǔ )咒”送他回(huí )家。于(yú )是在雅(yǎ )琪“身经百战”的五(🐗)菱(🐯)宏(📬)光(🔹)里(🤾)开(🛵)始(🌭)了他们边卖货挣钱边训练的艰(jiān )苦同(tóng )居(jū )生活(huó )。
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